The Origin of Emma and Nora, From Henrik Ibsens "A doll's house" and Gustave Flaubert's "Madame Bovary"
Title: The Origin of Emma and Nora, From Henrik Ibsens "A doll's house" and Gustave Flaubert's "Madame Bovary"
Category: /Arts & Humanities/Theater
Details: Words: 1188 | Pages: 4 (approximately 235 words/page)
The Origin of Emma and Nora, From Henrik Ibsens "A doll's house" and Gustave Flaubert's "Madame Bovary"
Category: /Arts & Humanities/Theater
Details: Words: 1188 | Pages: 4 (approximately 235 words/page)
Gustave Flaubert and Henrik Ibsen are both known as great writers and
harsh social critics. In fact when Flauberts masterpiece Madame Bovary was
released, he was arrested on the grounds that his novel was morally and
religiously offensive to the public, despite the fact that it was a bestseller. Also
Henrik Ibsens "A Doll's House" was such a slap in the face to many Europeans
that it was banned in some countries and revised in
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time.
So the characteristics of Nora and Emma were deeply rooted in the
societies which produced their respective authors. Hopefully, it is now clear what
the outside influences were upon the authors who created these characters. A
combination of family and personal experiences, along with a concern for what
was going on in and around the time period of the authors allowed them to create
two of the most memorable women in literature and drama.
