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Letter "T" » The Critic
«I maintain that two and two would continue to make four, in spite of the whine of the amateur for three, or the cry of the critic for five.»
Author: James Whistler | Keywords: amateur, The Critic, whine
«It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly; who errs and comes short again and again; because there is not effort without error and shortcomings; but who does actually strive to do the deed; who knows the great enthusiasm, the great devotion, who spends himself in a worthy cause, who at the best knows in the end the triumph of high achievement and who at the worst, if he fails, at least he fails while daring greatly. So that his place shall never be with those cold and timid souls who know neither victory nor defeat.»
«I wish I could be like Shaw who once read a bad review of one of his plays, called the critic and said: 'I have your review in front of me and soon it will be behind me.'»
«Let us consider the critic, therefore, as a discoverer of discoveries.»
«Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.»
«Court not the critic's smile nor dread his frown»
«CRITIC, n. A person who boasts himself hard to please because nobody tries to please him.There is a land of pure delight, Beyond the Jordan's flood, Where saints, apparelled all in white, Fling back the critic's mud.And as he legs it through the skies, His pelt a sable hue, He sorrows sore to recognize The missiles that he threw. --Orrin Goof»
«Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analyzing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon.»
«In a writer there must always be two people - the writer and the critic»
«It behooves every man to remember that the work of the critic, is of altogether secondary importance, and that, in the end, progress is accomplished by the man who does things.»

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